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Главная » Shakhi-i-Zinda monuments in the complex in Samarkand. Necropolises of the Uzbekistan.

Photos Shakhi-i-Zinda Paul Nadar.

Journey through Central Asia and Uzbekistan

“You will be chasing him half a day in the woods to shoot from your photogun, and then another half a day - to give a photo!”

Cartoon "Prostokvashino".

Exclusive archaeological tours in Uzbekistan.

On this page will be presented photos of the Shahi Zinda funerary-mausoleum complex in Samarkand from the work of Paul Nadar, which he prepared in the period of 1890. In 1890, he takes a long journey, which should bring him to Tashkent to the World Exhibition.
This journey is the theme of the exhibition. After leaving Paris, on August 18 he arrives in Istanbul on the Orient Express, he crosses the Black Sea, boarding a ship in Batumi, crosses the Caucasus through Tbilisi and Baku, then reaches the territories of Russian Turkestan, modern Turkmenistan and Uzbekistan.
He travels around the region for two months, first by train, heading along the Trans-Caspian highway, then by horse-drawn carriage, and from there brings about 1,200 negatives that represent everyday life, monuments, landscapes, the construction site of the railway and many portraits.
And then across the Caspian Sea to the then starting point of the Transcaspian Railway, the city of Uzun-Ada Next, the expedition path lies in Central Asia. Nadar meets Samarkand, Khiva, Bukhara and Merv. Mosques, mausoleums, enchanting landscapes, crowds in the bazaars, falcon hunts, desert sands, oil fields, modern types and people who still adhere to the old-fashioned way of life - everything becomes an object of his interest.
The photo story of Paul Nadar is actually one of the first “big reports” in the history of photography. The locations filmed by Nadar also represented a completely different look in 1890, which makes documentary evidence of its great importance about the region at the end of the XIXth century out of its reportage.
Nadar takes pictures of the streets, congestions and life in busy market squares, wandering merchants, nomadic leisure and the new urban society, families playing children. He shoots portraits of local leaders, in particular, the Emir of Bukhara, to whom he dedicated a whole series of shots.

Horse bazaar. In the background is the ensemble of Shakhi-i Zinda.Near the main entrance to Shakhi-i- Zinda.Near the main entrance to Shakhi-i- Zinda.Near the main entrance to Shakhi-i- Zinda.Near the main entrance to Shakhi-i- Zinda.Near the main entrance to Shakhi-i- Zinda.Near the main entrance to Shakhi-i- Zinda.Near the main entrance to Shakhi-i- Zinda.Near the main entrance to Shakhi-i- Zinda.Near the main entrance to Shakhi-i- Zinda.Near the main entrance to Shakhi-i- Zinda.Near the main entrance to Shakhi-i- Zinda.Near the main entrance to Shakhi-i- Zinda.Near the main entrance to Shakhi-i- Zinda.Near the main entrance to Shakhi-i- Zinda.Near the main entrance to Shakhi-i- Zinda.

Enlightener:
Photos of Paul Nadar taken from http://www.culture.gouv.fr and http://rus-turk.livejournal.com  http://art-blog.uz

Photos
Nadar, Paul.